Redboard unpostings: Difference between revisions

From zooid Wiki
Jump to navigation Jump to search
No edit summary
Line 35: Line 35:
== RedBoard @ one month: How are we doing? ==
== RedBoard @ one month: How are we doing? ==


Rogers is making a brave and smart move with this service, hopefully toward getting to the bottom of what we all want, healthy competitive service focused on true Internet access, with worthwhile Rogers offers layered on top. Many homes are, like mine, spending around $8000 over three years on Rogers wireless. For this price we should expect quite a bit.
Rogers is making a brave and smart move with this service, hopefully toward getting to the bottom of what we all want, healthy competitive service focused on true Internet access, with worthwhile Rogers offers layered on top. Many homes are, like mine, spending around $8000 over three years on Rogers wireless. For this price we should expect quite a bit. [Rogers is in a tough position because Internet is something that could and should be freely distributed]


With social media comes the hope relationships can be formed. Even if we don't remember a name or avatar, history is just a click away and hopefully we can avoid seeing unhelpful canned responses, and this can be more of a conversation, and less disassociated blips.
With social media comes the hope relationships can be formed. Even if we don't remember a name or avatar, history is just a click away and hopefully we can avoid seeing unhelpful canned responses, and this can be more of a conversation, and less disassociated blips.
Line 41: Line 41:
I have been continually promoting a few themes —
I have been continually promoting a few themes —


* Rogers made a mistake with the Dream's inability to upgrade and the Magic offer was not an adequate response
* Rogers [and HTC] made a mistake with the Dream's inability to upgrade and the Magic offer was not an adequate response
* customers should be able to more easily replace or upgrade devices purchased through Rogers without having to go through bizarre 'contract cancellation' contortions. ideally, within a few clicks through their myRogers account
* customers should be able to more easily replace or upgrade devices purchased through Rogers without having to go through bizarre 'contract cancellation' contortions. ideally, within a few clicks through their myRogers account
* It's good Rogers has clarified we can use third party devices, and even embraced the Nexus One. However, people who are not using a subsidized device should be paying a lower fee
* It's good Rogers has clarified we can use third party devices, and even embraced the Nexus One. However, people who are not using a subsidized device should be paying a lower fee [rogers can use its position as a hardware purveyor more competitively and progressively]
   
   
Finally, I would like a "my profile" link on this site so I can find all postings I've made, and see others' profiles. Several postings I made haven't shown up after a week.
Finally, I would like a "my profile" link on this site so I can find all postings I've made, and see others' profiles. Several postings I made haven't shown up after a week.

Revision as of 00:57, 2 April 2010

Créer la version française

Error creating thumbnail: File missing
Redboard unpostings


Location

Montréal


Liu Fang (simplified Chinese: 刘芳; traditional Chinese: 劉芳) (born 1974) is one of the most prominent pipa players in the world. Born in Kunming in the Chinese province of Yunnan, she began playing the pipa at the age of 6. Her first solo public performance was at the age of 9. In 1986, at age 11, she played for Queen Elizabeth II. Her studies at the Shanghai Conservatory of Music broadened her musical range and allowed her to study the guzheng. At the age of 22, Liu Fang immigrated to Canada and is now a Canadian citizen, currently residing in Montreal. The decision to move to Quebec allowed her virtuosic playing to reach a wider international audience. Since 1999, she has performed hundreds of solo concerts featuring Chinese traditional and classical music on her two solo instruments - pipa and guzheng. Her profile has risen due to her rich and deeply spiritual performances as well as a wide ranging repertoire that features music from Chinese classical and folk traditions (including pieces rarely heard) as well as contemporary works from both east and west. Described in the media as the "empress of pipa" (L'actualité), "divine mediator" (World), "the greatest ambassadress of the art of the pipa" (La presse), Liu Fang is known as “possessing virtuoso technique, grace and a unique empathy toward the music she plays – whether it is a traditional and folk tune or a modern Western composition” (All Music Guide). "She has an extraordinary focused, poised presence in her manner and her playing. In a lesser player this is just a trained formality; the body of material and techniques for her instruments is extremely highly developed, passed down through centuries. But Liu Fang’s total devotion to her playing has moved her beyond perfect execution to the creativity and flexibility that marks a true musician."(in the fRoots Magazine, 06.2006).

Apart from her numerous solo concerts, Liu Fang has also many intercultural collaborations in terms of "Silk and Steel Projects", where "Silk" represents the traditional culture of China whereas "steel" is a metaphor for modernity and western culture. Her last album entitled "Silk Sound" (Le son de soie) featured musical dialogues with artists from three different continents and was awarded the grand prize of L'Académie Charles Cros, the French equivalent of the US Recording Academy. Back in 2001, Liu Fang was the only musician to receive the prestigious "Future Generation Millennium Prize"[6] awarded by the Canada Council for the Arts to three artists of different disciplines under 30 years of age. The words of the jury summed up her achievements rather succinctly: "Liu Fang's mastery of the pipa and the guzheng has established her international reputation as a highly talented young interpreter of traditional Chinese music. She aspires to combine her knowledge and practice of eastern traditions with western classical music, contemporary music and improvisation, thereby creating new musical forms, uniting different cultures and discovering new audiences."

Liu Fang has made a number of national and international radio and TV appearances, produced several CDs. Liu Fang was invited as one of the featured artists by BBC World Service for the concert on November 7, 2003 dedicated to World AIDS Day. She performed at the 60th anniversary of UNESCO in Paris on November 16, 2005, and has also been honored by the government of Canada. She has performed with orchestras, string quartets and various instruments the works of many contemporary composers.

Discography

Albums solo :

  • The soul of pipa, vol. 3 : Pipa Music from Chinese folk traditions, Philmultic, 2006
  • Emerging Lotus : Chinese traditional guzheng music, Philmultic, 2005
  • The soul of pipa, vol. 2 : Chinese classical Pipa Music: from the ancient to the recent, Philmultic, 2003
  • The soul of pipa, vol. 1 : Chinese Pipa Music from the classical tradition, Philmultic, Canada, 2001
  • Chinese Traditional Pipa Music : Oliver Sudden Productions Inc, Canada/USA, 1997

Collaborations :

  • Changes - Duo pipa & Guitar : Philmultic, 2008
  • Le son de soie : Accords-Croisés/Harmonia Mundi, Paris, 2006
  • Mei Hua - Fleur de prunier : ATMA Classique, Canada, 2004
  • Arabic and Chinese music : Liu Fang et Farhan Sabbagh, Philmultic, 2000
  • Musique chinoise : Solo, duo, et avec orchestre de chambre, Philmultic, 1999

External links: